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NIGHT LETTERS

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A tale of self-discovery and the meaning of life, Night Letters narrates the trials and tribulations of one man as he journeys across Europe and is confronted by questions of his own mortality, masculinity and identity.

A somewhat confronting story greets punters in the Downstairs theatre at the Seymour Centre for this production presented by So What? Productions and 2011 Mardi Gras Festival. Staging enveloping the audience, with the actors in place, scattered throughout the venue before you take your seat. You feel like you are really walking into their existing world.

Sean Ohlendorf, who portrays Robert, the central character, sucks you into his world expertly, with not only a flawless delivery of the material, but with a heart fluttering presence that makes you instantly fall for his character and feel for every story he and his scene partners deliver.

The play itself is a multi arc journey, with actors playing several roles, in seemingly different times in history. At times a little confusing - but it all comes together in the end.

A relatively large cast encompasses some fresh and incredibly talented performances. Their individual commitment to the roles is second to none and they have a fresh, yet seasoned style that works well with the content.

Funny, engaging and disturbing - Night Letters confronts the audience with illness, abuse, love and sacrifice.

This production has definitely left its mark - you know something has effected you when the next day you have flashbacks, goosebumps and you jump on the net to find out more about the cast and crew and the story itself.

Director Christopher Hay
Set/Costume Designer Natalie Smith
Lighting Designer Madison Burkett
Sound Designer Phoebe Williams
Production/Stage Manager Khym Scott

With Alex Cubis, Charlotte Green, Phoebe Hoff, Cale Leslie Hubble, Brydie Lee-Kennedy, Tom Mittelheuser, Tina Moshkanbaryans, Sean Ohlendorf and Eleni Schumacher

GTG What's On Listing for Night Letters

NIGHT LETTERS

Comments

I was totally un-enthralled by this play. It was tedious and dicsombobulatin g - by the end of it I could see where it was heading but OH! How awful was the path to get there. The movements between Robert and his partner were the best parts - the partner being the true star of the show - the professor also good - but the silly running shreiking woman was awful - annoying - difficuilt to read - performances were on the whole good but the script was dire and the direction worse. This play needs to be cut by one whole hour to get it into a tight shape that an audience can relate to.

-1 Cathy Netherwood 2011-03-12 23:45 #3

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WOW! Yes, hard to follow in parts, and a huge amount happening often concurrently, but an amazing and emotionally charged experience that touches the audience and will leave you wondering. In particular the 2 central characters put in excellent performances.

+1 Julie Hoskison 2011-02-27 09:58 #2

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Loved this show - I rarely watch a play without my mind wandering but even when I was a bit confused about the time lines with the actors playing different characters I was still captivated by the actors. Go with the flow & you'll love this :)

+4 Marky 2011-02-19 15:56 #1

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